Rescue Me Pilot Script Pdf' title='Rescue Me Pilot Script Pdf' />Thats it for this week, but I still have plenty of blunt, honest advice bottled up inside. Tell me, whats troubling you Is work getting you down Movie scripts, Movie screenplays Original Unproduced Scripts. A showcase of original scripts from the hottest writers on the net. I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul. Yesterdays script review reminded me how rare it is that a script actually recovers from a bad second act. I know this because when I first started giving notes, I. Genre Dramedy. Premise Based on the true story. The Disaster Artist chronicles the making of the worst movie of all time The Room. Rescue Me Pilot Script Pdf' title='Rescue Me Pilot Script Pdf' />About Been looking forward to this one for a long time Francos getting the best reviews of his career 9. Rotten Tomatoes. Franco directed and acted in the film, along with his brother, Dave Franco, his buddy Seth Rogen, Alison Brie, and Josh Hutcherson. Writers Scott Neustadter Michael H. Weber based on the book The Disaster Artist by Greg Sestero and Tom BissellDetails 1. BibMe Free Bibliography Citation Maker MLA, APA, Chicago, Harvard. Hollywoods got it all wrong. Theyve concocted this ludicrously complex formula for making money, which includes coming up with a film idea that can be expanded into multiple product lines such as toys, music, and theme parks, when all along it was Tommy Wiseau who had the real vision. Heres his formula. Take note Overpay to make a movie so bad, barely anyone shows up for it, but just enough people to tell other people that it was the worst movie ever, which in turn drives their curiosity and gets them into the theater, who in turn bring their friends to show them how bad the movie is, a process that gradually builds and turns the film into a cult classic. After six years of this, have one of the stars of the film, and the directors supposed best friend, write a book that throws the filmmaker under the bus to such a degree and in such entertaining fashion, that the book itself becomes a best seller. Then wait for a Hollywood star to read said book, fall in love with it, buy the rights, then make a movie about the book about the making of the movie, finally bringing the story of the film to the masses, who now have no choice but to go rent the original film that this film was based on, turning said terrible film into a financial success. Rescue Me Pilot Script Pdf' title='Rescue Me Pilot Script Pdf' />That, my friends, is how you do it. The Disaster Artist heres my old review of the book is one of the most complex pieces of entertainment Ive ever encountered. There are so many stories within stories here, so much inside baseball, all packed onto a story whose structural oddities make it a screenwriting nightmare, that theres virtually no way to make it work. A recent test screening showed that the average audience member didnt even know this was based on a real story. They just thought it was another wacky James Franco Seth Rogen comedy. The Room was a movie made by an eccentric weirdo named Tommy Wiseau, a secretive wannabe actor who believed people would buy him as the next great American movie star. He befriended a shy 1. Greg Sistero, who had Brad Pitt looks but Rob Schneider talent. The movie they made was so bad, it became a cult hit that many dubbed the worst movie ever made. This film is about the friendship between Greg and Tommy while making that movie. Lets be clear here. Franco deserves all the acclaim for this film. He wears all the hats. But screenwriters Scott Neustadter and Michael Weber arent far behind. They did some amazing things with this. Give Franco credit. He couldve hired some Rogen Franco inner circle assistants to write this film. But they spent the money to get it right. How tricky was the scriptFor starters, it takes place over a number of years. Movies work best with tight time frames 2 weeks or less is ideal. The main exception to this rule is period pieces by that I mean hundreds of years ago, not the 9. The reason long time frames are bad is because its harder to sustain tension in a story if youre always stopping and starting. An 8 month time jump is a momentum killer. Im not saying it cant be done. But trust me, its a huge challenge to make jumps like that seamless. And these guys did it. Then theres the movie within the movie aspect, always a challenge to pull off because youre figuring out how to divide time between the real life stuff and the making of the movie. Also, movies about Hollywood are always terrible. So youre diving into those shark infested waters. The biggest challenge, however, is the tone. I can only imagine what the meetings were like discussing this. People who love The Room are coming into this film hoping for a lot of that goofy so bad its good comedy. However, The Disaster Artist cant be that movie. Its not The Room. So how do you appease those expectations On the other side you have people whove never seen The Room. Theyll make up the majority of the audience. What movie are you giving themBecause it has to be a different movie than the one youre giving Room lovers. How did Neustadter and Weber solve this problem The answer is why these guys are making 7 figures a job and youre not. They anchored everything in the friendship between Tommy and Greg. Heres why that matters. This movie cant possibly appease everyone. But the thing that EVERY audience member relates to is friendship. The struggles and complications of friendship are universal. This is why I tell you guys that while the plot is important, you gotta get the relationships right. Thats whats going to hold your story together. But this was one of the most complicated friendships Ive ever seen. You have Tommy, whos so socially unaware that he clings to anyone who gives him even a modicum of attention. And you have Greg, who you always get the impression doesnt respect Tommy. Music Artists Free Mp3 Download English Songs more. I mean in real life the guy wrote a book exposing Tommy as a giant idiot. So how do you make us believe that these guys are actually friends The whole movie depends on it so you have to make that believable. This is where lesser writers wouldve crumbled. Neustadter and Weber knew that the way to do this was with an early scene, preferably the first or second scene between the characters. If we convincingly establish this friendship early, well believe it for the rest of the film. Thats how screenwriting works. And they write this really clever scene in an acting class where Greg struggles to emote. He struggles to leg go. Thats why hes a bad actor. Tommy, on the other hand, doesnt give a shit. He emotes from the top of the Empire State Building. Sure, its uncalibrated and awkward. But that freedom is what Gregs missing. So Greg asks Tommy to do a scene with him to see if he can tap into that freedom, and Tommy challenges him, as theyre eating dinner later, to do the scene right there, in front of the restaurant. Greg is terrified. But Tommy pushes him, and as Greg does the scene, we see him free up and finally, for the first time in his life, let go. It results in a euphoria hes never felt before. And thats it. After that scene, we know why Greg will follow this man to the moon and back. The film does hit some of those LA side street speed bumps though. Francos Tommy impression is laugh out loud funny for the first half hour, but loses its luster later on. Once those laughs were gone, the movie lost a step. The second half of the film becomes a lot more serious than I expected and Im not sure that was the right choice. I was hoping for more funny moments of them making the movie. But the infamous, Oh, hi Mark scene was pretty much all we got. This is what I meant when I said that the tone is tricky. You want to keep the audience emotionally invested, but not at the expense of the comedy. Unodc Training Courses on this page. And you want to keep them laughing, but not at the expense of emotional investment. If theres one knock against this film, it might be that it never established a genre. Install Sap Automation Activex Controls. When you dont have a genre, then when you run into problems, you dont have a roadmap for where to go.